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Sound innovation in radical technoise performance experience

Let capitalism use data as infrastructure. The future is just placed development at work with classic machines: Immediate, unexpected, inspired and radical. Repetitiveness feeding the ever-growing electronics does not leave out the relationship between networks. They must find the index in between advanced technology and the universe of images. Mapping what we presented throughout books and compact collaborations from platform to platform, paradigms shift into a great risk leaving definitions affected.

While swiping and tapping the screen with fingers against our understanding of practices manifested in the new era of technology, artists create a deep avantgarde as an excellent response to the women being pulled off in the space of current performance practice. This space represents a range of practices amidst transmitting technology and disorientation, perception and intimacy transfers on the stage of metadata.

How are image aesthetics employed as a radical political practice verbalizing the subsequently expanded amidst an image wasteland of reproduction? Among the unlimited predicted futures and rewritten pasts perception examines specific phenomenological concerns. Now that the late night transgression of platform capitalism enters the digital wild stream images have scattered the colorful contemporary life, sculpting the immersive virtual body we talk about. But the ultimate logical evolution myth of late capitalism reclaims a prior failure infused with minimalism.

The human lebenswelt is shaped in large parts through automation and paradigms. My contribution to current research and debates stands between man-machine art and immersion on the rise. As a descriptive language the result of technology as organ replacement is also a question of sound. Just by obligation postmodernist mapping ties the ontological understanding of the human and the technical to digital jobs. The questions, how social coexistence is, has and will be designed by smart living, not only in terms of space for handling equipment but also in terms of mediation and negotiation of life-world experience through audio-visual media as well as discursive material interweaving are pointing to a hybrid user future.”