That's not transcending our own modern times.
TAIWANvideoArt
Artist Statement
Let capitalism use data as infrastructure. The future is just placed development at work with classic machines: Immediate, unexpected, inspired and radical. Repetitiveness feeding the ever-growing electronics does not leave out the relationship between networks. They must find the index in between advanced technology and the universe of images. Mapping what we presented throughout books and compact collaborations from platform to platform, paradigms shift into a great risk leaving definitions affected.
While swiping and tapping the screen with fingers against our understanding of practices manifested in the new era of technology, artists create a deep avantgarde as an excellent response to the women being pulled off in the space of current performance practice. This space represents a range of practices amidst transmitting technology and disorientation, perception and intimacy transfers on the stage of metadata.
How are image aesthetics employed as a radical political practice verbalizing the subsequently expanded amidst an image wasteland of reproduction? Among the unlimited predicted futures and rewritten pasts perception examines specific phenomenological concerns. Now that the late night transgression of platform capitalism enters the digital wild stream images have scattered the colorful contemporary life, sculpting the immersive virtual body we talk about. But the ultimate logical evolution myth of late capitalism reclaims a prior failure infused with minimalism.
To establish an effective action plan artists have to constantly questions the liminal boundaries of discursive space. It is ambitious and challenging not to deny the advancement of technology making artworks accessible. In the current narrative system art works around either risk, transgression or failure. We therefore rely on your generosity to help us provide opportunities interfacing with recyclability and productivity. We commit to attempting to deliver extraordinary experiences for all.
Let's listen BEST performance
The video, uses found footage of a outdoor music festival in 1980s ripped of youtube. Only scenes showing the audience of the concert are presented parts with showing musicians have been removed. The scenes of the Audience are repeated irregularly. The Soundtrack of the original source is not used instead Atonalli placed a composition of her deep avantgarde style abusing the Midi presets or even the preview function of the classic machines.
The Video is then processed online with youtube's own algorithms and filters. In this case the most prominent effect is achieved by the automatic face recognition and blurring youtube offers as a video enhancement. It renders the video into an abstract colourful movement in the moment the faces of the audience would appear. Leaving spots of unaltered image where no faces were found, some faces even show the failure of the algorithm.
Let's listen BEST performance in the form of a music video, demonstrates how the masses of users, the digital naives of the Cyber Age, get scanned by the companies providing their entertainment. Not knowing what the machine already has seen.
What is shown to the user is blurred seeming to provide privacy. But the machine had to analyse the picture before and we don't know how it uses the conceived data later on. The screen stays opaque for the user as the machine looks through it.
incredible krautrock performance with JV-2080 // elektron digitakt /// Proteus 2000 // electribe
"Incredible krautrock performance with JV-2080 // elektron digitakt /// Proteus 2000 // electribe" shows a browser performance with a free online video and presentation creator software. This performance is screen captured and used as a music video. The first thing we see is Atonallis own Youtube channel page quickly changing to her analytics overview. Thus disclosing the inner statistics of her channel. Then It shows the process creating a business presentation slideshow out of a template. The content of the business presentation is about Atonallis Youtube channel referring to the market logic that has permeated social media platforms as a result of their algorithmic and advertisement financed nature.
The audio track has a fractured character, foremost through not syncing the used instruments with the common technologies, but instead giving room for abstract polymetric rhythmic transgressions. Triggering an emotional state of nervous hustle because of the necessity to complete forms as communication with the online community.
